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SYDNEY INTERNATIONAL PIANO COMPETITION
Session 21
Wednesday July 14, 2021
One of two Japanese players to get this far, Nitahara took as his theme ‘Music born out of grief’, picking out two works that had their genesis in sad times for their respective composers. This musician used a Steinway sited at the University Mozarteum in Salzburg, recording his program on March 20. In the first instance, we heard Mozart’s Piano Sonata in A minor K 310, written near the time of his mother’s death and eventually showing marks of emotional stress. As a companion to this, Nitahara performed Mussorgsky’s Pictures at an Exhibition suite, written about the art, and in memory, of his friend Viktor Hartmann.
As seems to be customary in performances of most Classical and Romantic era sonatas, Nitahara offered no repeat of the Mozart’s Allegro maestoso exposition: a shame as it would have given us another chance to relish his sparkling treatment of the No • The board played a key role during the capital raising, offering oversight during in-camera sessions held just before the monthly board meeting. “Ultimately, the decision to divest at this scale rested with the family shareholders, the three sibling families,” she says, noting the two non- executive directors provided valuable guidance on the road ahead. “We [engaged] a PR company to manage communications to ensure all stakeholders were taken on the journey during negotiations and after the deal was made. My main concern was that all employees retained their jobs as part of the changes and everyone felt secure about their futures. Regular meetings were held with staff to keep them informed, as well as [with] other stakeholders including customers, suppliers, growers and the community.” • Australian Hometown(s): Sydney & Melbourne PROFESSIONAL BIOGRAPHY Outside of University James has performed with the Sydney Youth Orchestra, the Manly Warringah Chamber Orchestra, the Ku-Ring-Gai Philharmonic Orchestra, the Willoughby Symphony Orchestra and the Eastern Suburbs Chamber Orchestra. In 2015 James moved to Melbourne to study at the Australian National Academy of Music and has since played with the ANAM Symphony Orchestra, Brass Ensemble, ögonkontakt
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Education:Sydney Conservatorium of Music,Australian National Academy of Music
James began the study of drum kit at the age of 7 with Adam Manning. He completed the HSC in 2010, gaining first place in the Dioceses for Music 1. In 2011 James began his Bachelor of Music at the Sydney Conservatorium of Music with teachers Daryl Pratt, Rick Miller and Mark Robinson. He has performed in the Sydney Conservatorium’s Wind Symphony Orchestra, Symphony Orchestra, Modern Music Ensemble, Chamber Orchestra and Early Music Ensemble.