Fuminori tanada biography sampler

  • Was born in 1961 in Okayama, Japan and studied at the National University of Art and Music in Tokyo as well as at the Conservatoire National Supérieur de.
  • This book contains etudes and exercises composed by immanent performers and pedagogues such as Iampolski, Mostras, Pitkuss, Rabinovitch, Sapojnikov.
  • Kim entered the spotlight as a clarinet prodigy a decade ago, not long after he began learning the instrument.

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    Biography Atsuko Koga & Fuminori Tanada



    Atsuko Koga
    Concert flutist Atsuko Koga was born in Fukuoka, Japan. After graduating in Tokyo, she transferred to the Conservatoire National Supérieur de Musique et dem Danses dem Paris, where she completed her flute studies with distinction.

    She has won awards at many international competitions, including First Prize at the Grand Concours International de l’Academie de Lutèce, the Grand Concours Gaston Crunelle et Lucien Wurmser and the Jeunesses Musicales in Bucharest. She has also earned a Second Prize at the Maria Canals International Music Competition in Barcelona, the Music Competition “Le splendere” bygd the Tokyo International Association of Art and the International Music Competition Caltanisetta in Italy.

    She has been a solist for, among others, the Tokyo Symphony Orchestra, the Kyūshū Philharmonic in Fukuoka, the Orchestre du Conservatoire de Paris, the Philharmonie Jeunesses Musicales in Bucharest and in Germany with

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    Etudes pour une haute virtuosité - Studies for High Virtuosity

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    Assembled and annotated by Arthur Ter-Hovhanisian
    This book contains etudes and exercises composed by immanent performers and pedagogues such as Iampolski, Mostras, Pitkuss, Rabinovitch, Sapojnikov...
    The goal of this work is to assemble some of the exercises and etudes that I have revised and annotated, and present them logically in a single five section book:
    1 - Developing bowing technique
    2 - Shifts or changing position
    3 - Complex intonation etudes (tuning)
    4 - Tremolos, trills, harmonics
    5 - Playing melodies with accompaniment, polyrhythms

    English translation: Jacqueline Rose

    SEVCIK O. : Etude Opus 2 nº21, 22, 23 et nº24 - MOSTRAS C. : Etude - LAUB F. : Etude - JANSHINOV A. : Opus 27 nº20 - BERIOT Ch. de : Prélude nº1, 2 et 3 - BERIOT Ch. de : Variations sur un thème de Grétry - JANSHINOV A. : Opus 27 nº27 - JOACHIM J. : Ecole - SPOHR L. : Etude - LOCATELLI P. :

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    Kim Han champions an unsung instrument : Musician says the clarinet matches his modest personality

    [LEE SANG-WOOK]

    The clarinet is a woodwind instrument that doesn’t exactly stand out in the orchestra. Despite this, the clarinet is still essential to bridging and harmonizing the high notes from violins with the lower tones from bass instruments.

    “It’s an average instrument,” said 22-year-old clarinetist Kim Han. “In that sense, the instrument and I have a lot in common.”

    “In an orchestra, the clarinet is not an instrument that creates a central sound, but its sounds really blend well with all the other instruments,” he said. “People say that a musician and the instrument he or she plays resemble each other more and more as time passes, and I really agree with that. I am the kind of person who gets along well with everyone.”

    Kim entered the spotlight as a clarinet prodigy a decade ago, not long after he began learning the instrument. He started learning the instrument at a
  • fuminori tanada biography sampler