Carlos de haes biography definition

  • Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was a.
  • Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was a Spanish painter from Belgium.
  • Carlos de Haes was born in Brussels to a family of bankers.
  • Carlos dem Haes Biography | Oil Painting Reproductions

    Carlos dem Haes was born in Brussels to a family of bankers. The family moved to Spain, settling in Málaga in 1835 when he was six years old. De Haes first studied art with the Neoclassical portrait painter Luis dem la Cruz y Ríos, and in 1850, dem Haes decided to continue his art training with the great Flemish landscape painter namn Quinaux, who taught dem Haes until 1855. Quinaux taught him to paint outdoors, and this defined his future artistic direction.

    In the 1850s, Carlos dem Haes was involved in the rise of the Realist School of landscape painting in Spain. In 1857 he became the first professor of landscape painting at the Academy, and the first teacher in all of Spain to teach painting outdoors en plein air from nature.

    Besides his teachings, he continued with his paintings, and in 1858, Carlos de Haes received the first medal at the National Exhibition. He was elected an Academic at the Royal Ac

  • carlos de haes biography definition
  • Carlos de Haes

    Spanish painter from Belgium

    Carlos de Haes

    BornJanuary 25, 1829

    Belgium

    DiedJune 17, 1898(1898-06-17) (aged 69)
    NationalitySpanish
    Known forPainting
    Notable workMonasterio de Piedra
    MovementRealism

    Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was a Spanish painter from Belgium.[1] He was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work".[2] He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil.[3]

    In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the

    CARLOS DE HAES - COMPLETE ECTHING COLLECTION - 1898

    Subject: Book from the late 19th century with 55 landscape engravings made by Carlos de Haes.

    Publication: Madrid, National Calcography, 1898. First edition.

    Technique: Etching.

    Description: Album made up of 55 prints, some of them signed with the 'CH' monogram. Cover that gives title to the series ('Ensayos') with tall grasses and rock on which the title is read and a slab with the signature of Carlos de Haes. It also includes a portrait of the painter by Ricardo de los Ríos with the date 1898 and a printed cover on original cardboard. Most of the prints are landscapes and rural houses, bridges, walls, mills, roads and reefs. It includes the well-known prints of the juggling clown with mask in profile, 'El cabrero' and 'La noria'.

    Notes: Publication that became a unique example of the etching treatise that was never written in Spain.

    Artist Biography: Carlos de Haes (Brussels, 1826-Madrid, 1898) was a painter of