Patricia bardon mezzo soprano biography of martin

  • Irish mezzo-soprano Patricia Bardon is in high demand for repertoire ranging from the Baroque through to Rossini and Wagner.
  • Highlights · Reviews.
  • MARIA WILLIS IS A BRITISH MEZZO-SOPRANO FROM NORFOLK, BASED IN LONDON.
  • Polly Leech is a mezzo-soprano from Wiltshire, England.  She is currently a member of the Dutch National Opera Studio in Amsterdam, after recently training at the National Opera Studio in London as a 2017/18 Young Artist.  Previously, she trained at the Royal College of Music, gaining a postgraduate Masters in Vocal Performance (Distinction).  Polly is a Britten-Pears Young Artist and an Opera Awards Foundation Bursary Recipient.  She now studies with vocal teacher Janice Chapman.  Polly is represented by Mark Kendall Artists Management.

    Her 2018/19 season at De Nationale Opera includes Pastuchyňa Jenůfa, Une femme thébaine Oedipe, Abra Juditha Triumphans and Fidalma Il Matrimonio Segreto.  She will also perform the role of Hippolyta A Midsummer Night's Dream at the Opéra Comédie with the Opéra Orchestre Nation Montpellier Occitanie in May 2019.

    During he

  • patricia bardon mezzo soprano biography of martin
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    United Kingdom BBC PROM 48 – Ravel: Magdalena Kožená (mezzo-soprano), London Symphony Chorus, London Symphony Orchestra / Sir Simon Rattle (conductor), Royal Albert Hall, London, 18.8.2018. (AS)

    Ravel – Ma mère l’oye – ballet; Shéhérazade;

    L’enfant et les sortilèges

    Cast:
    Child – Magdalena Kožená
    Mother/Dragonfly/A herde – Patricia Bardon (mezzo-soprano)
    The Fire/The Nightingale/Princess – Jane Archibald (soprano)
    The Grandfather Clock/The Black katt – Gavan Ring (baritone)
    The Chair/The White Cat/The Chinese Cup/The Squirrel – Anna Stéphany (mezzo-soprano)
    The Shepherdess/The Bat/The Owl – Elizabeth Watts (soprano)
    The Teapot/The Little Old Man/The Tree-Frog – Sunnyboy Dladia (tenor)
    A Tree/The Armchair – David Shipley (bass)

    Ravel’s Mother Goose exists in three versions. It was firstly written in 1910 as a suite of five pieces for piano duet, in which struktur it fryst vatten wonderfully effective and often programmed in recitals. In 1911 Ravel orch